Updated models include the de-esser, multiband compressor and tuner. There’s a clearer, more comprehensive channel strip EQ, too.Īmong the new effects plug-ins are a multiband expander, multiband envelope shaper, VST Bass Amp and Quadrafuzz V2. There are now VCA faders in the mixer that allow you to mix more flexibly by linking different channels for easier control, and also merging automation channels. The new Rack Zone, taken from Cubase 8, lets you display the VST instrument rack and MediaBay window along the right side of a project, meaning one less floating window. This tool aims to make that process easier by automatically updating your timeline. The idea is that since you usually start audio editing based on an early cut, you’ve always had to spend time re-editing to cope with subsequent picture edits. It also integrates with the Perforce system, so changes to a Nuendo project are reported automatically.Īlso new is ReConforming for film and TV post, a tool that detects changes to edits based on comparing before and after Edit Decision Lists. First is Game Audio Connect, an interface technology that lets you import audio into the Wwise game middleware system. Playing Games Nuendo 7 is cross-platform, and introduces some new features that will be of interest to post producers. Nuendo has its own tools and omits some of the more music-oriented stuff, such as scoring, chord tracks and some instruments, though these can be added via upgrade. Compare pictures of Cubase 8 and Nuendo 7 and you’ll see they are both advanced audio recording and editing environments.
These centre around extensive support for video and synchronisation formats, as well as dialogue recording and standard-compliant loudness metering. Outlining what Nuendo is about involves mentioning some of the requirements of audio post.
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